用生命写就梦想见证--解读路遥的创作人生毕业论文_汉语言文学毕业论文

用生命写就梦想见证–解读路遥的创作人生毕业论文

2021-04-06更新

摘 要

路遥,中国八十年代文坛中一位著名的乡土作家。他的一生都在进行文学创作,1981年,路遥凭借着顽强的毅力,夜以继日创作出了十三万多字的小说《人生》。《人生》成为路遥短暂生命中的里程碑式的作品,路遥也因此一举成名。但是路遥并没有沉浸在

《人生》带给他的荣誉之中,而是继续他在文学上的远征之路,他用他的青春和生命做赌注完成了他人生中的鸿篇巨制——《平凡的世界》。苦难生活中走出来的路遥,深受陕北地域文化的影响,形成了个性的创作心理机制。路遥热爱创作,他善于用写实主义的创作方式,来构建他的作品,描绘这个大千世界。

本文从路遥的童年为起点来梳理他的创作人生,从而探究他的创作心理的产生和走向。并结合路遥的随笔《早晨从中午开始》,解读路遥,挖掘他的内心世界,感悟他的创作人生。

关键词:路遥、苦难、创作心理、逃离、创作

Life is a dream witness

——Analysis of Lu Yao’s morning from noon

ABSTRACT

Lu Yao, a famous writer in the literary world in 80s Chinese. His life is in the literary creation, in 1981, by virtue of his perseverance, round the clock to create a more than 130 thousand word novel “life”“life” become milepost type in the works of his short life, his fame. But so did not hang Lu Yao to his honour in the life, but continued his literary expedition of the road, he used his youth and life completed his life in the ordinary world. A masterpiece the suffering of life out of Luyao, deeply influenced by the local culture in Northern Shaanxi The creation of the personality of the psychological mechanism. Lu Yao love to write, he is good at the creation of realistic way to build his works, depicting the world

In this paper, from his childhood as the starting point to sort out his creative life, to explore and to his creative psychology. Combined with his essay “the morning starting at noon”, reading Lu Yao, dig into his inner world, perception of his creative life.

Key words:Lu Yao;Suffering;Creative Psychology;Escape;A literary creation

目 录

引 言 .- 1 –

一.路遥的文学之路及创作心理……………………………………………………………………………………………….. – 2 –

1.1 文学之路………………………………………………………………………………………………………………………. – 2 –

1.2 创作心理………………………………………………………………………………………………………………………. – 4 –

二.浅谈路遥创作姿态和创作过程……………………………………………………………………………………………. – 5 –

2.1 创作姿态………………………………………………………………………………………………………………………. – 5 –

2.2 路遥作品的创作过程…………………………………………………………………………………………………….. – 6 –

三.路遥作品的创作特色………………………………………………………………………………………………………….. – 8 –

3.1 现实主义风格……………………………………………………………………………………………………………….. – 8 –

3.2 恋土情结和悲剧色彩…………………………………………………………………………………………………….. – 9 –

结 语………………………………………………………………………………………………………………………………………..- 11 –

致 谢………………………………………………………………………………………………………………………………………- 12 –

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