摘 要

ABSTRACT II

1 文学大背景下萧红的创作.....................................................................................................- 1 -

1.1 三四十年代文学格局的发生......................................................................................- 1 -

2 《呼兰河传》中的人物形象描写.........................................................................................- 3 -

2.1 多样化塑造呼兰河人民形象......................................................................................- 3 -

2.1.1 淳朴善良的农民本性.......................................................................................- 3 -

2.1.2 落后保守的国民劣根性...................................................................................- 4 -

3 《呼兰河传》中的叙事描写.................................................................................................- 8 -

3.1 独特的叙事人视角......................................................................................................- 8 -

3.2 借景抒情，赋予景物独立的描写价值......................................................................- 9 -

4 《呼兰河传》对后代作家的影响...................................................................................... - 11 -

4.1 对生命和家园主题的思考....................................................................................... - 11 -

4.2 文化寻根意识对后代作家的影响........................................................................... - 12 -

结 论 ....................................................................................................................................... - 14 -

参考文献.................................................................................................................................... - 15 -

致 谢 ....................................................................................................................................... - 16 -

中文摘要

1940 年，萧红在发表《生死场》后，又在香港发表了《呼兰河传》，引起了左翼文学家的高度关注。《呼兰河传》作为萧红自传体性质的小说，不仅还原了 作家记忆中呼兰河人民的生存情状，更剖析了作家在童年时期关于爱和痛的成长 生命体验。本篇论文将从四个方面探讨研究萧红《呼兰河传》中的描写。首先， 从三四十年代文学大背景出发，细数五四文学和三十年代文学，即文学发轫期和 繁荣期出现的文学因素对萧红文学创作的影响；其次，探讨《呼兰河传》中在人 物形象描写方面的艺术成就，通过追溯萧红人生历程，研究鲁迅在描写国民劣根 性方面对萧红产生的影响和这种影响在《呼兰河传》中的发展延伸；再次，通过 与三十年代其他作家作品的比较，探讨《呼兰河传》在叙事描写上的特色；最后， 借由萧红在《呼兰河传》中表现出的对生命和家园主题的思考，研究东北作家群 对八十年代出现的文化寻根思潮的影响，以求能够全面探究萧红的文学创作思想。

关键词：萧红；《呼兰河传》；文化寻根

ABSTRACT

Xiao Hong published ‘The Story of Hu Lan River’ in Hong Kong in 1940 after she published ‘Battlefiled of life and death’, which hit the Left-wing literary writers. As Xiao Hong’s autobiography, ‘The Story of Hu Lan River’ not only described the living condition of people, but also analysed the feeling of love and pain. This article will from four aspacts to learn the depiction of ‘The Story of Hu Lan River’. First, by tracing back to the 1920s literature and 1930s literature, which respected the stating period and boom period ,we will learn how many positive factors had impacts on Xiao Hong’s writing. Second, the article will analyse the artistic achievements on character shaping. retrospecting Xiao Hong’s life period, we can know that Xiao not only inherited Lu Xun’s writing traditions on national inferiority but also carried forward to a new place. Third, by preparing Xiao Hong with other writers, we can study the value of the folk narration. Last but not least, we can know how Xiao Hong’s writing influenced the 1980s writer’s writing. The aim of the article is to study the literary creation thought of Xiao Hong all round.

Key words: Xiao Hong；The Story of Hu Lan River；Cultural-root exploration

1 文学大背景下萧红的创作

1.1 三四十年代文学格局的发生

在现当代文学近一百年的发展历程中，晚清的文学因素为五四文学的发展提供了有力的根基，各种思想交锋，百家争鸣，不同的文学社团纷纷建立，由《新青年》所引领的文学报刊纷纷出现。受五四文学的影响，三四十年代的文学呈现出多样化发展的格局，各种文学样式以其特有的魅力焕发出耀眼的光芒。