《绿野仙踪》标志性被动句研究毕业论文_汉语言文学毕业论文

《绿野仙踪》标志性被动句研究毕业论文

2021-04-04更新

摘 要

ABSTRACT 2

绪论 3

    1. 《绿野仙踪》简介 3
    2. 被动句研究概况 3
  1. 《绿野仙踪》标志性形式标识被动句 4
    1. 《绿野仙踪》“于”字式 4
      1. 《绿野仙踪》“于”字式研究 5
    2. 《绿野仙踪》“为”字式 6

1.2.1《绿野仙踪》“为”字式研究 7

    1. 《绿野仙踪》“为……所……”式研究 7

1.3.1《绿野仙踪》“为……所……”式 8

    1. 《绿野仙踪》“见……于……”字式 9

1.4.1《绿野仙踪》“见……于……”字式研究 10

    1. 《绿野仙踪》“被”字式 10

1.5.1《绿野仙踪》“被”字式研究 11

    1. 《绿野仙踪》“蒙”字式 11

1.6.1《绿野仙踪》“蒙”字式研究 12

  1. 《绿野仙踪》标志性意念被动句 13
    1. 《绿野仙踪》标志性意念被动句研究 14

结语 15

参考文献 17

致 谢 18

摘要

明清时期是汉语发展史上的重要阶段,现代汉语是承接于明清时期的汉语。因此,对明清汉语的研究具有一定的价值。对明清汉语语 法的研究能为我们研究近代汉语提供语料与依据。

本论对《绿野仙踪》中标志性被动句的句法结构类型进行了简洁、扼要的分析并且分类,主要分为了两大类:标识被动句、意念被动句;其中表示被动句分为六小类:“于”字式、“为”字式、“见……于……”字式、“为……所……” 式、“被”字式和“蒙”字式。

《绿野仙踪》突破了传统的神魔小说并在其基础上进行创新,将世情小说、神魔小说、历史小说融为一体,是明清小说的代表。郑振铎将其与《红楼梦》、

《儒林外史》并称为为清中叶三大小说,全书语料丰富、形式多样。

全书分为四章。第一章为绪论。简要说明了本书选材的研究价值、被动式的界定和被动式现阶段研究概况。第二章分析《绿野仙踪》标志性形式标识被动句。每种情况都举例从语义、感情色彩、句法功能等角度分析并阐释其基本发展历程。第三章是对《绿野仙踪》中标志性意念被动句的研究。适当的分析并对句型进行简单的归纳。第四章 主要是对《绿野仙踪》中标志性被动句情况进行总结。

关键词:《绿野仙踪》;标志性形式标识被动句;意念被动句;语义;感情色彩

ABSTRACT

The Ming and Qing Dynasties were an important stage in the history of Chinese development. Modern Chinese was the Chinese language that was accepted in the Ming and Qing Dynasties. Therefore, the study of Chinese in Ming and Qing Dynasties has certain value. The study of Chinese grammar in Ming and Qing Dynasties can provide corpus and evidence for our study of modern Chinese.

This thesis makes a concise and concise analysis and classification of the syntactic structure types of the iconic passive sentences in lv ye xian zong, which are mainly divided into two categories: the identification of passive sentences and the passive sentences of ideas; which means that passive sentences are divided into six categories.

lv ye xian zong breaks through the traditional magical novels and innovates on the basis of it. It integrates the world novels, the magical novels and the historical novels, and is the representative of the novels of the Ming and Qing Dynasties. Zheng Zhenduo and his “Dream of Red Mansions” and “The History of Confucian Scholars” are called the three sizes of the Qing Dynasty. The whole book is rich in corpus and diverse in for.

The book is divided into four chapters. The first chapter is the introduction. It briefly explains the research value, passive definition and passive current research of this book. The second chapter analyzes the passive sentence of the iconic form of “lv ye xian zong“. Each case analyzes and explains its basic development process from the perspectives of semantics, emotional color, and syntactic function. The third chapter is the study of the passive sentences of the iconic ideas in lv ye xian zong.

Proper analysis and simple induction of sentence patterns. The fourth chapter mainly summarizes the situation of the iconic passive sentences in lv ye xian zong.

Key words:lv ye xian zong;the marked passive sentences; the unmarked passive sentence; shades of meaning;emotional coloring

绪论

《绿野仙踪》简介

《绿野仙踪》作者为清朝李百川。《绿野仙踪》语言生动、情节巧妙、手法精巧,体现出鲜明的时代特点,同时突破了传统的神魔小说并在其基础上进行创新,将世情小说、神魔小说、历史小说融为一体,是明清小说的代表。

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